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Six Myths About Art Most People Share

Jorge Sette By Jorge Sette Published on November 24, 2015

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Art tends to be surrounded by awe and respect. Museums resemble cathedrals in the way people move around the halls speaking in hushed tones and looking humbly at the works on display. Art or Hight Art – as it’s sometimes called – should be regarded in a more natural and intimate way by the viewers. The lack of great museums in Latin America makes the contact with art a particularly formal experience for us. But things are changing, as more and more people go abroad, frequent museums, and substitute pleasure and fun for the old sense of respect infused in them when they stood in front of a famous painting or sculpture not many years ago. The myths we are outlining below are more related to that kind of art you find in museums and galleries: the visual art produced by the great masters.

1. Art is usually spontaneous and organic. The legend says talent lies dormant in the artist until it’s suddenly awaken by the muses. In fact, the development of artistic skills is a long and hard path, involving a lot of academic learning, Of course, there are more or less intuitive artists, and mentors may sometimes replace art schools. Formal learning, however, is integral to the process and only practice makes perfect.

2. The best art has idealized versions of mythology, history or biblical themes as its subject matter. This tradition started being disputed around the time the pre-Impressionists, such as Manet with his mundane and realistic nudes and the social art of Courbet appeared. Their fight against tradition and academicism was taken to a whole new level by the Impressionists, especially by Monet, who understood art as the apprehension of fleeting moments in time, such as the effects of light bouncing off trees, water and plain people in everyday situations. That was what mattered and deserved registering. Colors became brighter and more vibrant.

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Argenteuil, c. 1872-1875, by Monet.

3. The best art is realistic. Fauvism, Cubism and Modern Art in general showed that there was not much point in replicating what film and photography had started doing so well as of the XIX century. Art couldn’t and shouldn’t compete with them. So art needed to change. It should remain an expression of what is human, including the observation of reality, but as seen through the eyes, emotions, neuroses and obsessions of the artistic self. Art must be a personal way of expresing the artist’s inner world. Unlike previous painters, the sense of perspective developed since the Renaissance and the concepts of beauty and balance taken as tenets by the artistic community underwent an earthquake which shattered those ideals to pieces. This is still going on.

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Young Girl Reading a Book on the Beach, by Picasso.

4. Art dealers and critics are the experts and they know it all about good and bad taste. We all know how the Impressionist group struggled to have their works exhibited in the tradition-dominated Salón in XIX century Paris. There are no absolutes in art and if you read Tom Wolf’s iconoclastic The Painted Word – which I strongly recommend – you will laugh hard and be infused by a sense of liberation as he dissects and analyses ironically the American art of the XX century. There is also a hilarious chapter in his latest book, Back to Blood, which mocks merciless the Modern Art World of contemporary Miami, with its dealers, experts, artists and stupid billionaire clients. A must-read.

5. You have an innate predisposition to love, hate or be totally indifferent to art. Not so simple. Just like marmite – for those who have had a chance, like me, to live in he UK for a while and see this initially disgusting jam-like spread sitting on the breakfast table every morning - or even Japanese food, whose ever-present ripe odor coming out of restaurants may put you off getting in at first, art is an acquired taste. You don’t have to like it right away, but you may grow to love it by exposure. There is no need to enjoy every famous artist either. Be selective. Art grows in people. And I strongly defend that by offering history of art as a subject in the secondary and high school – not very common in most schools in Latin America – or by parents exposing their kids to art books at home or visiting museums, young people’s taste will get more refined and we will see a growth in art appreciation over time.

6. Art is for older people. The younger you are the more appealing iconoclastic and unconventional art will look to you, especially if you have a rebel streak (who doesn’t?). Therefore your initial interest for the drama and violence in Caravaggio may be replaced by calmer Monets or a more contained Velàzquez later on in life. Their beauty and absence of direct conflict can be refreshing as you grow more mature. I still love Janis Joplin, The Rolling Stones, Jim Morrison and Sid Vicious. Sometimes it was not even the quality of their music but their lifestyle, perfomances and stage personas – some of them very short-lived, by the way – which captivated me. However, as I grew more mature, classical music started to show its charms and take over my musical taste.

Jorge Sette is Bookwitty's Regional Ambassador for South America. He represents the company, writing relevant content for the region, recruiting contributors, contacting partners and ... Show More

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