Japan-ness ; l'architecture au japon de 1945 à nos jours
Présentation de l'histoire de l'architecture japonaise depuis les destructions d'Hiroshima et Nagasaki par la bombe atomique en 1945 s'attardant sur les mutations des grandes villes japonaises à travers les enjeux urbains. Avec un point sur les réalisations de grands architectes comme Tadao Ando, Kenzo Tange et Kengo Kuma ainsi que sur les mouvements et les écoles.
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Ruralism: The Future of Villages and Small Towns in an Urbanizing World
What role do villages and smaller towns have in a world in which the majority lives in cities? Rural space is about to change: After mechanization and industrialization, rural space has experienced mass out-migration. It has received waste and unwanted or out-dated infrastructures from cities. It has fed the world's population and served as the scenery for movie plots or as a recreational landscape for temporary guests. But in the near future, rural space will step out of the shadow of the cities and become appreciated as an important actor in sustainable development in its own right. In the current city-centred discourse, rural spaces are often dismissed as declining or stagnating. However, rural spaces also play a critical role in sustainable development, as an inextricably linked counterpart, but also as a complement to the growing city, as extraction sites, natural reservoirs or leisure spaces. Yet, the city and the countryside are evermore increasingly mutually reliant. A closer look at the countryside unveils a set of dynamics overlaying and changing rural space, beyond trends of depopulation and shutdown of public facilities.
The once remote and quiet countryside is now traversed by global and regional flows of people, goods, waste, energy and information, interrelating it with the larger urban system, and perhaps even bringing it to the frontlines of regional transformation and sustainability. A new set of criteria for understanding and appreciating the rural is required. The book gathers contributions from scientists and practitioners who took part in the interdisciplinary conference "ISU Talks #3: Ruralism" at TU Braunschweig in November, 2015.
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Single-family houses are becoming increasingly outdated. They offer no response to demographic change or to the fact that there are fewer and fewer life-long relationships. They are often too inflexible for new family models or ways of cohabitation.
This publication presents projects in recent years in Japan, which respond to the need for new forms of housing. The architects are developing solutions that allow residents to live together but still maintain enough distance and privacy. The presented apartment types and their layout allow for a variety of life models. Particularly interesting here is the use of spaces that provide a gradual transition from public to private space-an approach to building that, according to experts, could revolutionize western residential architecture.
The publication portrays these new forms of building and living based on prominent Japanese examples that include Shigeru Ban, Sou Foujimoto, and Akihisa Hirata.
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Close Up at a Distance - Mapping, Technology, and Politics
Maps poised at the intersection of art, architecture, activism, and geography trace a profound shift in our understanding and experience of space.
The maps in this book are drawn with satellites, assembled with pixels radioed from outer space, and constructed from statistics; they record situations of intense conflict and express fundamental transformations in our ways of seeing and of experiencing space. These maps are built with Global Positioning Systems (GPS), remote sensing satellites, or Geographic Information Systems (GIS): digital spatial hardware and software designed for such military and governmental uses as reconnaissance, secrecy, monitoring, ballistics, the census, and national security. Rather than shying away from the politics and complexities of their intended uses, in Close Up at a Distance Laura Kurgan attempts to illuminate them. Poised at the intersection of art, architecture, activism, and geography, her analysis uncovers the implicit biases of the new views, the means of recording information they present, and the new spaces they have opened up.
Her presentation of these maps reclaims, repurposes, and discovers new and even inadvertent uses for them, including documentary, memorial, preservation, interpretation, political, or simply aesthetic. GPS has been available to both civilians and the military since 1991; the World Wide Web democratized the distribution of data in 1992; Google Earth has captured global bird's-eye views since 2005. Technology has brought about a revolutionary shift in our ability to navigate, inhabit, and define the spatial realm. The traces of interactions, both physical and virtual, charted by the maps in Close Up at a Distance define this shift.
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The utopian vision of spatial urbanism -- an avant-garde architectural phenomenon that blended technology, leisure, and culture -- examined as a reaction to modernism and official government building and planning in the embattled cultural context of 1960s France.
Amid the cultural and political ferment of 1960s France, a group of avant-garde architects, artists, writers, theorists, and critics known as "spatial urbanists" envisioned a series of urban utopias--phantom cities of a possible future. The utopian "spatial" city most often took the form of a massive grid or mesh suspended above the ground, all of its parts (and inhabitants) circulating in a smooth, synchronous rhythm, its streets and buildings constituting a gigantic work of plastic art or interactive machine. In this new urban world, technology and automation were positive forces, providing for material needs as well as time and space for leisure.
In this first study of the French avant-garde tendency known as spatial urbanism, Larry Busbea analyzes projects by artists and architects (including the most famous spatial practitioner, Yona Friedman) and explores texts (many of which have never before been translated from the French) by Michel Ragon, the influential founder of the Groupe International d'Architecture Prospective (GIAP), Victor Vasarely, and others.
Even at its most fanciful, Busbea argues, the French urban utopia provided an image for social transformations that were only beginning to be described by cultural theorists and sociologists.
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Unavailable as a collection until now, these essays document both the intellectual journey of one of the world's leading architects and a critical period in the evolution of architectural thought.Born in Tokyo, educated in Japan and the United States, and principal of an internationally acclaimed architectural practice, celebrated architect Fumihiko Maki brings to his writings on architecture a perspective that is both global and uniquely Japanese. Influenced by post-Bauhaus internationalism, sympathetic to the radical urban architectural vision of Team X, and a participant in the avant-garde movement Metabolism, Maki has been at the forefront of his profession for decades. This collection of essays documents the evolution of architectural modernism and Maki's own fifty-year intellectual journey during a critical period of architectural and urban history.Maki's treatment of his two overarching themes -- the contemporary city and modernist architecture -- demonstrates strong (and sometimes unexpected) linkages between urban theory and architectural practice. Images and commentary on three of Maki's own works demonstrate the connection between his writing and his designs. Moving through the successive waves of modernism, postmodernism, neomodernism, and other isms, these essays reflect how several generations of architectural thought and expression have been resolved within one career.
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A primer in urban literacy that teaches us in words and pictures what to notice if we want to understand the city.
Cities speak, and this little book helps us understand their language. Considering the urban landscape not from the abstract perspective of an urban planner but from the viewpoint of an attentive observer, Urban Code offers 100 "lessons"--maxims, observations, and bite-size truths, followed by short essays--that teach us how to read the city. This is a user's guide to the city, a primer of urban literacy, at the pedestrian level. The reader (like the observant city stroller) can move from "People walk in the sunshine" (lesson 1) to "Street vendors are positioned according to the path of the sun" (lesson 2); consider possible connections between the fact that "Locals and tourists use the streets at different times" (lesson 41) and "Tourists stand still when they're looking at something" (lesson 68); and weigh the apparent contradiction of lesson 73, "Nightlife hotspots increase pedestrian traffic" and lesson 74, "People are afraid of the dark."
A lesson may seem self-evident ("Grocery stores are important local destinations"--of course they are!) but considered in the context of other lessons, it becomes part of a natural logic. With Urban Code, we learn what to notice if we want to understand the city. We learn to detect patterns in the relationships between people and the urban environment. Each lesson is accompanied by an icon-like image; in addition to these 100 drawings, thirty photographs of street scenes illustrate the text. The photographs are stills from films shot in the Manhattan neighborhood of SoHo; the lessons are inspired by the authors' observations of SoHo, but hold true for any cityscape.
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