On a sultry afternoon in the summer of 1936 a young woman is witness to an attempted murder in a London hotel room.
Nina, a West End actress, faces a dilemma: she shouldn't have been at the hotel in the first place, and certainly not with a married man. But once it becomes apparent that she has seen the face of the man the newspapers have dubbed `the Tie-Pin Killer' she realises that unless she acts quickly, more women will die...
From the glittering murk of Soho's underworld, to the grease paint and ghost-lights of theatreland, Curtain Call is a poignant and gripping story about love and death in a society dancing towards the abyss.
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Talking As Fast As I Can
A NEW YORK TIMES BESTSELLERWINNER of the GoodReads Choice Awards 2017 for HumourIn this collection of personal essays, the beloved star of Gilmore Girls and Parenthood reveals stories about life, love, and working as a woman in Hollywood-along with behind-the-scenes dispatches from the set of the new Gilmore Girls, where she plays the fast-talking Lorelai Gilmore once again.In Talking as Fast as I Can, Lauren Graham hits pause for a moment and looks back on her life, sharing laugh-out-loud stories about growing up, starting out as an actress, and, years later, sitting in her trailer on the Parenthood set and asking herself, "Did you, um, make it?" She opens up about the challenges of being single in Hollywood ("Strangers were worried about me; that's how long I was single!"), the time she was asked to audition her butt for a role, and her experience being a judge onProject Runway ("It's like I had a fashion-induced blackout").In "What It Was Like, Part One," Graham sits down for an epic Gilmore Girls marathon and reflects on being cast as the fast-talking Lorelai Gilmore. The essay "What It Was Like, Part Two" reveals how it felt to pick up the role again nine years later, and what doing so has meant to her.Some more things you will learn about Lauren: She once tried to go vegan just to bond with Ellen DeGeneres, she's aware that meeting guys at awards shows has its pitfalls ("If you're meeting someone for the first time after three hours of hair, makeup, and styling, you've already set the bar too high"), and she's a card-carrying REI shopper ("My bungee cords now earn points!").Including photos and excerpts from the diary Graham kept during the filming of the recent Gilmore Girls: A Year in the Life, this book is like a cozy night in, catching up with your best friend, laughing and swapping stories, and-of course-talking as fast as you can.
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Small Great Things
'The best books make you see differently. This is one of them. The eye-opening new novel from Jodi Picoult with the biggest of themes: birth, death, and responsibility.''To Kill a Mockingbird for the 21st Century' Reader ReviewWhen a newborn baby dies after a routine hospital procedure, there is no doubt about who will be held responsible: the nurse who had been banned from looking after him by his father. What the nurse, her lawyer and the father of the child cannot know is how this death will irrevocably change all of their lives, in ways both expected and not.Small Great Things is about prejudice and power; it is about that which divides and unites us. It is about opening your eyes.Praise for Small Great Things:'No book could be more timely in its message than Small Great Things . . . The story prodded me to take a good, hard look at my own biases and preconceptions' (Metro)'A thought-provoking and unputdownable novel about race and prejudice that shows Picoult at her very best' (Woman & Home)'The narrative rips along at a great pace, she writes dialogue like a pro, and her suspenseful control of the courtroom scenes is masterfully done' (Independent)
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The Underground Railroad
From prize-winning, bestselling author Colson Whitehead, a magnificent tour de force chronicling a young slave's adventures as she makes a desperate bid for freedom in the antebellum South
Cora is a slave on a cotton plantation in Georgia. Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood—where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned—Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted.
In Whitehead’s ingenious conception, the Underground Railroad is no mere metaphor—engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar’s first stop is South Carolina, in a city that initially seems like a haven. But the city’s placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.
Like the protagonist of Gulliver’s Travels, Cora encounters different worlds at each stage of her journey—hers is an odyssey through time as well as space. As Whitehead brilliantly re-creates the unique terrors for black people in the pre–Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman’s ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share.
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