The Golden Hill
New York, a small town on the tip of Manhattan island, 1746. One rainy evening in November, a handsome young stranger fresh off the boat pitches up at a counting-house door in Golden Hill Street: this is Mr Smith, amiable, charming, yet strangely determined to keep suspicion simmering. For in his pocket, he has what seems to be an order for a thousand pounds, a huge amount, and he won't explain why, or where he comes from, or what he can be planning to do in the colonies that requires so much money. Should the New York merchants trust him? Should they risk their credit and refuse to pay? Should they befriend him, seduce him, arrest him; maybe even kill him? An astonishing first novel, as stuffed with incident as a whole shelf of conventional fiction, Golden Hill is both a book about the eighteenth century, and itself a novel cranked back to the form's eighteenth century beginnings, when anything could happen on the page, and usually did, and a hero was not a hero unless he ran the frequent risk of being hanged.
Rich in language and historical perception, yet compulsively readable, Golden Hill has a plot that twists in every chapter, and a puzzle at its heart that won't let go till the last paragraph of the last page. Set a generation before the American Revolution, it paints an irresistible picture of a New York provokingly different from its later self: but subtly shadowed by the great city to come, and already entirely a place where a young man with a fast tongue can invent himself afresh, fall in love - and find a world of trouble.
The Opposite of Loneliness
An affecting and hope-filled posthumous collection of essays and stories from the talented young Yale graduate whose title essay captured the world's attention in 2012 and turned her into an icon for her generation. An affecting and hope-filled posthumous collection of essays and stories from the talented young Yale graduate whose title essay captured the world's attention in 2012 and turned her into an icon for her generation. Marina Keegan's star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash. As her family, friends, and classmates, deep in grief, joined to create a memorial service for Marina, her unforgettable last essay for the Yale Daily News, "The Opposite of Loneliness," went viral, receiving more than 1.4 million hits. She had struck a chord. Even though she was just twenty-two when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation. The Opposite of Loneliness is an assem-blage of Marina's essays and stories that, like The Last Lecture, articulates the universal struggle that all of us face as we figure out what we aspire to be and how we can harness our talents to make an impact on the world.
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Footnotes From The World's Greatest Bookstores
From belovedNew Yorkercartoonist Bob Eckstein comes this New York TImes bestselling collection of paintings and stories from some of the world s most cherished bookstores. The collection of seventy-five evocative paintings and colorful anecdotes invites you into the heart and soul of every community: the local bookshop, each with its own quirks, charms, and legendary stories. The book features an incredible roster of great bookstores from across the globe and stories from writers, thinkers and artists of our time, includingDavid Bowie, Tom Wolfe, Jonathan Lethem, Roz Chast, Deepak Chopra, Bob Odenkirk, Philip Glass, Jonathan Ames, Terry Gross, Mark Maron, Neil Gaiman, Ann Patchett, Chris Ware, Molly Crabapple, Amitav Ghosh, Alice Munro, Dave Eggers, Garrison Keillorand many more. Page by page, Eckstein perfectly captures our lifelong love affair with books, bookstores, and book-sellers that is at once heartfelt, bittersweet, and cheerfully confessional."
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The object I drew out was dusty and mildewed, and blotched with dark rust-coloured stains. It smelt of time and decay, sour, like old books and parchments. The light from the chapel's stained glass window blushed red upon it, and upon my hands, as if the thing itself radiated a bloody glow.Ramshackle and crumbling, trapped in the past and resisting the future, St Saviour's Infirmary awaits demolition. Within its stinking wards and cramped corridors the doctors bicker and fight. Ambition, jealousy and hatred seethe beneath the veneer of professional courtesy. Always an outsider, and with a secret of her own to hide, apothecary Jem Flockhart observes everything, but says nothing.And then six tiny coffins are uncovered, inside each a handful of dried flowers and a bundle of mouldering rags. When Jem comes across these strange relics hidden inside the infirmary's old chapel, her quest to understand their meaning prises open a long-forgotten past - with fatal consequences.In a trail that leads from the bloody world of the operating theatre and the dissecting table to the notorious squalor of Newgate and the gallows, Jem's adversary proves to be both powerful and ruthless. As St Saviour's destruction draws near, the dead are unearthed from their graves whilst the living are forced to make impossible choices. And murder is the price to be paid for the secrets to be kept.'Here's a tale of Victorian London to freeze your blood on a cold winter's night' - Evening Telegraph'Beloved Poison is a marvellous, vivid book with a thoughtful, engaging protagonist at its centre - and a fascinating story to tell. It's immaculately researched and breathtakingly dark' - Janet Ellis, author of The Butcher's Hook
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The Start of Something
`A poet of the short story, Stuart Dybek is a strange and exceptional talent... Impressive.' Phil Baker, Sunday Times
An Observer Book of the Year
Nineteen tales of growing up, wising up and falling in love
Spanning more than three decades of prize-winning work
By a North American master of the short story
What are you waiting for?
Welcome to the world of Stuart Dybek, where lovelorn adolescents rub shoulders with hard-boiled gangsters and scarf-clad babushkas jostle for attention among jaded academics. Where memory collides with imagination. And where seduction is the order of the day.
With an impeccable ear for the language of the streets, Dybek has rightly been heralded as one of Chicago's foremost chroniclers. But The Start of Something reveals a writer who has simultaneously dedicated his career to a more ambitious project - exploring the art of the short story from every angle.
By turn sexy and violent, funny and poignant, the stories in this definitive introduction to a lifetime's work let you discover what those in the know have long been saying: Stuart Dybek is a master of the form.
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