The Vanishing Year
“The Vanishing Year is a stunner. A perfectly compulsive read that's impossible to put down.” –Mary Kubica
“A chilling, powerful tale of nerve-shattering suspense.” –Heather Gudenkauf
Nominated for "Best Mystery & Thriller" by Goodreads Choice Awards 2016
Zoe Whittaker is living a charmed life. She is the beautiful young wife to handsome, charming Wall Street tycoon Henry Whittaker. She is a member of Manhattan’s social elite. She is on the board of one of the city’s most prestigious philanthropic organizations. She has a perfect Tribeca penthouse in the city and a gorgeous lake house in the country. The finest wine, the most up-to-date fashion, and the most luxurious vacations are all at her fingertips.
What no one knows is that five years ago, Zoe’s life was in danger. Back then, Zoe wasn’t Zoe at all. Now her secrets are coming back to haunt her.
As the past and present collide, Zoe must decide who she can trust before she—whoever she is—vanishes completely.
A “dark, twisty, edge-of-your-seat suspense” (Karen Robards), The Vanishing Year combines the classic sophistication of Ruth Rendell and A.S.A. Harrison with the thoroughly modern flair of Jessica Knoll. Told from the point-of-view of a heroine who is as relatable as she is enigmatic, The Vanishing Year is an unforgettable new novel by a rising star of the genre.
Small Great Things
'The best books make you see differently. This is one of them. The eye-opening new novel from Jodi Picoult with the biggest of themes: birth, death, and responsibility.'
'To Kill a Mockingbird for the 21st Century' Reader Review
When a newborn baby dies after a routine hospital procedure, there is no doubt about who will be held responsible: the nurse who had been banned from looking after him by his father.
What the nurse, her lawyer and the father of the child cannot know is how this death will irrevocably change all of their lives, in ways both expected and not.
Small Great Things is about prejudice and power; it is about that which divides and unites us.
It is about opening your eyes.
Praise for Small Great Things:
'No book could be more timely in its message than Small Great Things . . . The story prodded me to take a good, hard look at my own biases and preconceptions' (Metro)
'A thought-provoking and unputdownable novel about race and prejudice that shows Picoult at her very best' (Woman & Home)
'The narrative rips along at a great pace, she writes dialogue like a pro, and her suspenseful control of the courtroom scenes is masterfully done' (Independent)
All is Not Forgotten
You can erase the memory. But you cannot erase the crime. Jenny's wounds have healed. An experimental treatment has removed the memory of a horrific and degrading attack. She is moving on with her life. That was the plan. Except it's not working out. Something has gone. The light in the eyes. And something was left behind. A scar. On her lower back. Which she can't stop touching. And she's getting worse. Not to mention the fact that her father is obsessed with finding her attacker and her mother is in toxic denial. It may be that the only way to uncover what's wrong is to help Jenny recover her memory. But even if it can be done, pulling at the threads of her suppressed experience will unravel much more than the truth about her attack. And that could destroy as much as it heals.
Set within a contemporary black community in Southern California, Brit Bennett's mesmerizing first novel is an emotionally perceptive story about community, love, and ambition. It begins with a secret. oAll good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season.o It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. They are young; it's not serious. But the pregnancy that results from this teen romance-and the subsequent cover-up-will have an impact that goes far beyond their youth. As Nadia hides her secret from everyone, including Aubrey, her God-fearing best friend, the years move quickly. Soon, Nadia, Luke, and Aubrey are full-fledged adults and still living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question- What if they had chosen differently? The possibilities of the road not taken are a relentless haunt. In entrancing, lyrical prose, The Mothers asks whether a owhat ifo can be more powerful than an experience itself. If, as time passes, we must always live in servitude to the decisions of our younger selves, to the communities that have parented us, and to the decisions we make that shape our lives forever.
An eleven-year-old girl stops eating, but remains miraculously alive and well. A nurse, sent to investigate whether she is a fraud, meets a journalist hungry for a story.
Set in the Irish Midlands in the 1850s, The Wonder - inspired by numerous European and North American cases of 'fasting girls' between the sixteenth century and the twentieth - is a psychological thriller about a child's murder threatening to happen in slow motion before our eyes. Pitting all the seductions of fundamentalism against sense and love, it is a searing examination of what nourishes us, body and soul.