How to Be Both
Shortlisted for the Man Booker Prize 2014 How to be both is a novel all about art's versatility. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance.
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This title includes a reading guide. Terrible, unspeakable things happened to Sethe at Sweet Home, the farm where she lived as a slave for so many years until she escaped to Ohio. Her new life is full of hope but eighteen years later she is still not free. Sethe's new home is not only haunted by the memories of her past but also by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: beloved.
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The Plague of Doves
A finalist for the Pulitzer Prize, The Plague of Doves by Louise Erdrich, is a gripping novel about a long-unsolved crime in a small North Dakota town and how, years later, the consequences are still being felt by the community and nearby Ojibwe reservation.A finalist for the Pulitzer Prize, The Plague of Doves--the first part of a loose trilogy that includes the National Book Award-winning The Round House and LaRose--is a gripping novel about a long-unsolved crime in a small North Dakota town and how, years later, the consequences are still being felt by the community and a nearby Native American reservation.Though generations have passed, the town of Pluto continues to be haunted by the murder of a farm family. Evelina Harp--part Ojibwe, part white--is an ambitious young girl whose grandfather, a repository of family and tribal history, harbors knowledge of the violent past. And Judge Antone Bazil Coutts, who bears witness, understands the weight of historical injustice better than anyone. Through the distinct and winning voices of three unforgettable narrators, the collective stories of two interwoven communities ultimately come together to reveal a final wrenching truth.Bestselling author Louise Erdrich delves into the fraught waters of historical injustice and the impact of secrets kept too long. Told with heartbreak and humor, this Harper Perennial Deluxe Modern Classic features beautiful cover artwork on uncoated stock, French flaps, and deckle-edge pages.
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Eat the Document: A Novel
Eat the Document is a compelling story of activism, sacrifice and the cost of living a secret. It tells the story of two lovers, passionately committed 1970s anti-war protestors who, as a consequence of choices made back then, have had to erase their pasts, forge new identities and never see each other again. Dana Spiotta illuminates the buried connections between past and present language, music, technology and activism with coolness and precision, creating a multi-faceted portrait of three decades in America. 'A mesmerising journey: from bomber to motherhood, from American subversive to middle-aged widow ...Dana Spiotta runs the narrative intrigue with assurance, linking the youth-culture disaffection of the 1970s drop-outs with the dissidence of the 1990s generation. The mental energy in this novel is absorbing. Spiotta expresses its diversity with such nuance that it makes you gasp' Scotland on Sunday 'Perceptive and intelligent ...cool, verbally smart and socially astute' Independent 'Her prose has the calm, ghostly precision of a surgical needle ...A dark, gripping quasi-thriller that, as it digs deep into America's post-war counterculture, challenges as much as it beguiles' Metro 'A major American writer .
..the only female writer I know whose prose reminds me of the cool ambient poetry and steely precision of Don DeLillo ...Eat the Document is as darkly exact and thrilling as the political novels of Joan Didion' Bret Easton Ellis
A beautiful, unsettling novel about rebellion and taboo, violence and eroticism, and the twisting metamorphosis of a soul
Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself.
Celebrated by critics around the world, The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.
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